Comparative Morphologies LIII2001Archival iris print on Somerset paper32 × 40 inchesCourtesy of the artist
© Stephanie Syjuco
Wirtschafts-werte (Economic Values)2003Foamboard, contact paper, industrial shelving108 × 72 × 79 inchesCourtesy of the artist
© Stephanie Syjuco
Everything Must Go (Grey Market)2006Digital prints of used electronics posted for sale on Craigslist, foamboard, paper, tape, foamdimensions variableCourtesy of the artist
© Stephanie Syjuco
The Counterfeit Crochet Project (Critique of a Political Economy)Installation view at Yerba Buena Center for the Arts, San Francisco (2008)2006 – 2012Participatory workshops, website, downloadable PDFs, and production space with materials and samplesdimensions variableCourtesy of the artist
© Stephanie Syjuco
White Murakami bag by Stephanie Syjuco2006Part of "The Counterfeit Crochet Project (Critique of a Political Economy)" (2006 – 2012)Installation, participatory workshop, yarn11 ¼ × 3 ½ × 19 ½ inchesCourtesy of the artist and Catharine Clark Gallery, San Francisco
© Stephanie Syjuco
Towards a New Theory of Color Reading (El Dia, Houston Forward Times, Manila Headline)Installation view of the exhibition "Perspectives 164: Stephanie Syjuco: Total Fabrications" at the Contemporary Arts Museum Houston, curated by Meredith Goldsmith2008Four-color newspapers in editions of 2000 each, reprinted from the layouts of three Houston-based ethnic newspapers published during the 2008 presidential electionCourtesy of the artist
© Stephanie Syjuco
