Surrogates On Location1982-84Snapshots from television screenVariable dimensionsReference photos for Plaster Surrogates
Courtesy the artist
© Allan McCollum
Plaster SurrogatesInstallation view of "From the Permanent Collection" at Marian Goodman Gallery, New York1982 - 1983Enamel on cast HydrostoneVariable dimensionsCourtesy the artist
© Allan McCollum
Plaster SurrogatesInstallation view of "Gallery view" at Cash/Newhouse Gallery, New York1982 - 1984Enamel on cast HydrostoneVariable dimensionsPhoto by Eric Baum
Courtesy the artist
© Allan McCollum
Installation view, "Perpetual Photos,"1982 - 1990Silver gelatin prints50 × 45 inches with frameCourtesy the artist
© Allan McCollum
Perfect VehiclesInstallation view at Galerie Yvon Lambert, Paris, 19881985 - 1987Acrylic on cast Hydrocal19 1/2 × 8 × 8 1/2 inches eachCourtesy the artist
© Allan McCollum
"Twenty-five Perfect Vehicles with Twenty-five" with "Gallery Lamps"Installation view at Diane Brown Gallery, New York, 19871985/87Acrylic on cast Hydrocal19 1/2 × 8 × 8 1/2 inches eachPhoto by Bill Jacobson Studio
Courtesy the artist
© Allan McCollum
Over Ten Thousand Individual Works1987/88To produce the Individual Works, hundreds of small shapes are casually collected from friends’ homes, supermarkets, hardware stores, and sidewalks: bottle caps, jar lids, drawer pulls, salt shakers, flashlights, measuring spoons, cosmetic containers, yogurt cups, earrings, push buttons, candy molds, garden hose connectors, paperweights, shade pulls, Chinese teacups, cat toys, pencil sharpeners, and so on.
The cast shapes are combined into parts which will each serve as "half" a work. These halves are numbered and organized onto standard trays.
Rubber molds are produced from the collection of shapes. The replicas of these shapes can be cast in large quantities, thus creating a vocabulary of forms that can be combined to produce new shapes.
Rubber molds are made from the halves, in order to reproduce the trays many times.
Photo by Eric BaumCourtesy the artist
© Allan McCollum
Over Ten Thousand Individual Works1987/88Enamel on cast Hydrocal, 2 inches in diameter each, with variable lengths, each uniquePhoto by Fred Scruton
Courtesy the artist
© Allan McCollum
Over Ten Thousand Individual Works, detail1987/88Enamel on cast Hydrocal, 2 inches in diameter each, with variable lengths, each uniquePhoto by Fred Scruton
Courtesy the artist
© Allan McCollum
Over Ten Thousand Individual WorksInstallation view at Stedelijk Van Abbemuseum, Eindhoven, Holland1987/88Enamel on cast Hydrocal, 2 inches in diameter each, with variable lengths, each uniqueCourtesy the artist
© Allan McCollum
Over Ten Thousand Individual WorksInstallation view at Stedelijk Van Abbemuseum, Eindhoven, Holland1987/88Enamel on cast Hydrocal, 2 inches in diameter each, with variable lengths, each uniqueCourtesy the artist
© Allan McCollum
Drawings Templates and written protocols1988Photo by Eric Baum
Courtesy the artist
© Allan McCollum
DrawingsInstallation view at Centre d’Art Contemporain, Geneva1988/92-93Graphite pencil on museum boardEach unique, Dimensions variableCourtesy the artist
© Allan McCollum












