Installation view, "Perpetual Photos,"1982/90Silver gelatin prints50 × 45 inches with frameCourtesy the artist
© Allan McCollum
DrawingsInstallation view at Centre d’Art Contemporain, Geneva1988/92-93Graphite pencil on museum board, each uniqueDimensions variableCourtesy the artist
© Allan McCollum
Lost ObjectsInstallation view at John Weber Gallery, New York1991Enamel on glass fiber-reinforced concreteDimensions variableProduced in collaboration with the Carnegie Museum of Natural History, Pittsburgh. Photo by Fred Scruton
Courtesy the artist
© Allan McCollum
The Dog from PompeiInstallation view at Sprengel Museum, Hannover, Germany, 1995-19961991Cast glass-fiber-reinforced HydrocalApproximately 21 × 21 × 21 inches eachReplicas made from a mold taken from the famous original "chained dog" plaster cast of a dog smothered in ash from the explosion of Mount Vesuvius, in ancient Pompeii, in 79 A.D. Produced in collaboration with the Museo Vesuviano and the Pompei Tourist Board, Pompei, Italy, and Studio Trisorio, Naples, Italy.
Courtesy the artist
© Allan McCollum
Natural Copies from the Coal Mines of Central Utah1994/95Enamel paint on solid-cast polymer-enhanced Hydrocal22 × 26 × 20 inches eachProduced in collaboration with the College of Eastern Utah Prehistoric Museum, Price, Utah
Courtesy the artist
© Allan McCollum
Natural Copies from the Coal Mines of Central UtahInstallation view at John Weber Gallery, New York1994/95Enamel paint on cast polymer-enhanced HydrocalVariable dimensionsProduced in collaboration with the College of Eastern Utah Prehistoric Museum, Price, Utah. Photo by Fred Scruton
Courtesy the artist
© Allan McCollum
The Visible Markers1997-2000Oil-based enamel on Tuf-cal1 3/4 × 4 inches diameter eachUsed to express gratitude.
Produced in collaboration with I.C. Editions, New York.Courtesy the Susan Inglett Gallery, New York
© Allan McCollum
